French Baroque Era Painter, 1590-1649 French painter and draughtsman. Although at the time regarded as one of the leading French painters of the first half of the 17th century, he is now known more for his influence on French painting than for his actual oeuvre. He made his reputation in Italy, where he executed numerous portraits for aristocratic patrons and was commissioned for religious subjects. Although the early Italian works show the influence of Caravaggio, his work was subsequently modified by the Baroque style of such painters as Lanfranco and the influence of the Venetian use of light and colour. When he was summoned back to France by Louis XIII in 1627 he thus brought with him an Italian idiom hitherto unknown in France that revitalized French painting   Related Paintings of VOUET, Simon :. | Presentation in the Temple gu | Crucifixion er | Magdalene | Allegory of Wealth et | Father Time Overcome by Love, Hope and Beauty hf |
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Thomas Nast
September 27, 1840 ?C December 7, 1902,Illustrator Thomas Nast was the first American celebrity cartoonist, famous for helping to turn out New York corrupt politicians and for creating peristent iconographic images of Santa Claus. Nast, from a family of German immigrants, began working in New York City as a cartoonist at the age of 15. He had a long association with Harper Weekly (1861-86), during which his battlefield illustrations and skilled caricatures made him famous in the U.S. and abroad (Van Gogh was a collector). Nast was an opinionated, progressive Republican, and his illustrated attacks on the leader of New York Democrats, William Boss Tweed, are said to have helped bring down an era of government corruption. One of the most influential caricaturists of his time, he is credited with creating the image of Santa as a chubby fellow in a red suit. Nast also came up with the image of an ass to represent Democrats (around 1870) and an elephant to represent Republicans (1874). His popularity waned in the 1880s, and he parted ways with Harper Weekly over political and artistic differences. Failing to succeed with his own publication or as a painter, he managed to be appointed by President Teddy Roosevelt in 1902 to a diplomatic position in Ecuador, where he contracted yellow fever and died. Now officially embraced icons, the animal symbols of the two political parties were meant by Nast to be unflattering.
george bernard shaw
Born: 26 July 1856 Birthplace: Dublin, Ireland Died: 2 November 1950 (natural causes) Best Known As: The author of Pygmalion
Charles Alphonse du Fresnoy
(1611C1665), French painter and writer on his art, was born in Paris, son of an apothecary. He was destined for the medical profession, and well educated in Latin and Greek; but, having a natural propensity for the fine arts, he would not apply to his intended vocation, and was allowed to learn the rudiments of design under Perrier and Vouet. At the age of twenty-one he went off to Rome, with no resources; he drew ruins and architectural subjects. After two years thus spent he re-encountered his old fellow-student Pierre Mignard, and by his aid obtained some amelioration of his professional prospects. He studied Raphael and the antique, went in 1633 to Venice, and in 1656 returned to France. During two years he was now employed in painting altar-pieces in the château du Raincy, landscapes, etc. His death was caused by an attack of apoplexy followed by palsy; he expired at Villiers-le-Bel, near Paris. He never married. His pictorial works are few; they are correct in drawing, with something of the Caracci in design, and of Titian in colouring, but wanting fire and expression, and insufficient to keep his name in any eminent repute. He is remembered now almost entirely as a writer rather than painter. His Latin poem, De arte graphica, was written during his Italian sojourn, and embodied his observations on the art of painting; it may be termed a critical treatise on the practice of the art, with general advice to students. The precepts are sound according to the standard of his time; the poetical merits slender enough. The Latin style is formed chiefly on Lucretius and Horace.